Bohuslav Martinů: Les rondes
Martinů’s Les rondes glides between second-hand bits of Harlem, memories of Moravia, and interwar Paris.
Martinů’s Les rondes glides between second-hand bits of Harlem, memories of Moravia, and interwar Paris.
Claude Debussy released his String Quartet in 1894 with the designation Op. 10 and the words “1er Quatuor” (first quartet) on the cover. Both labels are misleading, since he hadn’t actually published nine previous compositions and never wrote a second quartet.
The Clarinet Quintet, Op. 10, is one of Coleridge-Taylor’s first mature pieces, dating from 1895. He wrote it in response to a challenge from his teacher, who remarked that it would be impossible to write a clarinet quintet without being influenced by Johannes Brahms.
In 1798 Beethoven thought the three trios he had just published as Op. 9 were his best works to date.
After the first rehearsal of Brahms’s Piano Quartet in Vienna, a notoriously grumpy violinist hugged him and said, “this is Beethoven’s heir!”
Beethoven was deeply indignant at the very idea of noble birth. The son of a town musician, he resented those of higher class, claiming a kind of artistic nobility for himself.
Ravel’s Violin Sonata No. 2 was a long time in the making, with the first ideas put down as early as 1922 and the premiere in 1927—all for about 17 minutes of music. He struggled with depression as his musical output slowed to a trickle.
Beethoven’s second cello sonata has an unusual form: its first two movements are combined, beginning with an Adagio and then transitioning into a more typical Allegro.
Today’s audience might wonder what made Fauré’s dreamy First Piano Quartet sound so new and different at the time.
The C-minor Piano Trio was the controversial piece in the Op. 1 set—Haydn criticized it, and Beethoven thought his teacher was jealous of it.