A little more than 200 years after Mozart wrote his Quintet for Winds and Piano, Jean Françaix arranged it as a Nonet for Winds and Strings. So this is a piece by Mozart, but certainly one filled with qualities Françaix favored in his own works too.
1789 was an unusually fallow year for Mozart, who was dealing with the poor health of his wife, Constanze; the death of their infant child (the second in two years); and various financial problems. The Clarinet Quintet was one of few bright spots.
The Clarinet Quintet, Op. 10, is one of Coleridge-Taylor’s first mature pieces, dating from 1895. He wrote it in response to a challenge from his teacher, who remarked that it would be impossible to write a clarinet quintet without being influenced by Johannes Brahms.
The link between Beethoven’s Kreutzer Sonata for violin and Janáček’s Kreutzer Sonata for string quartet runs through Tolstoy, whose 1889 novella The Kreutzer Sonata took its title from Beethoven. So Beethoven inspired Tolstoy, who inspired Janáček.
Kammermusik Nr. 2 reflects Paul Hindemith’s knack for recontextualization and revival—evoking something modern and old at the same time.
Powder Her Face is a 1995 chamber opera by Thomas Adès based on Margaret Campbell, duchess of Argyll, whose real-life 1963 divorce created a sensational scandal in England.